Amp Stand
Uncategorized April 9th. 2011, 10:08amAmp Stand
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 VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB  US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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VTI 304 Series Amp Stand Black Black Poles Black Caps BL304 01BB US $99.99
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 VTI 4 Shelf Audio Rack Amp Stand Silver w Frosted Glass Shelves BLG404SSF US $398.99
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 VTI 4 Shelf Audio Rack Amp Stand in Black with Frosted Glass Shelves BLG404BF US $398.99
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 Lovan Sovereign HIFI 4 Single Frame Amp Stand L SOV FAMP US $99.99
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On-Stage Tilt Back Amp Stand Review - George's Music
Using the Right Microphone Stand
If you're planning to set up a home music studio or a professional recording studio you'll need to consider the amount of equipment that you'll need. Microphone stands are one of the things that are a must. A live show will also need mic stands. Not just for the singers but also for the instruments and amps. There are a number of types and brands to consider. When buyers take a close look at microphone technology, they'll definitely want to know what's the steadiest, most reliable and the most cost effective. Here are some basic tips about some of the various features and uses for these three situations.
The straight stand is will be adequate for a band practice setting. These are adequate for practicing but there are better models that should be used for live performances which, generally will be taking more abuse night after night. Though more costly, there are mic stands that offer clutches that are very simple to position, especially if the stage personnel doesn't get it quite right for the performer. The performer won't have to awkwardly fiddle around with the height. A popular brand for this type of mic stand is Hercules which, again, is more pricey but higher quality.
Tripod mic-stands are not so great for live stage performances. When basic recording is being done, tripod boom stands, which are not meant to be moved at all, are better for positioning the microphone in tight spots. These mic-stands can be on the more costly side which is one of the reasons why the buyer can have some apprehension and are not so readily going to choose them, especially for general use such as in rehearsals. Also there are goose-neck attachments that can give an extra amount of flexibility for those hard to reach places.
For podcasting or in home set-ups there may not be enough room for a full sized stand that takes up floor space. The table top stand is going to work out perfectly and fit on any table or desk. The one recording can sit down with their guitar or sing at their computer even in the tightest of rooms. Another popular use for these desktop stands is for conferences and meetings.
Most of these options are going to be lightweight and easy to get set up. Many studio owners or renters do not have a lot of time to waste fussing with their equipment. The majority of stands, even the ones without clutches, will be easy to position and can be adapted to any performer's demands.
Microphones holders have a standard threading and should work with any stand they want to use. A musician or engineer that wants to use something custom made needs to spend considerably more. Stands that are made to order are not likely to be as inexpensive and can put a buyer off budget; but the overall investment is going to last a lot longer and will have a more professional look.
The price-tag will vary with the makes and types, hence the shopper should be knowledgable about what they want and what their uses will be. They won't have to spend more than need be. Making a budget that includes mic stands is not always that easy. Don't forget the essentialness of them. You can adhere to the defined budget, but if you go for the most least expensive ones, prepare yourself for them wearing out and having to get more sooner than you want to.
It should be easy to find stands that fit an artists wishes. Browse right now and calculate a budget that will give the buyer plenty of these options.
About the Author
Through years of experience in
composing
recording and performing, Bruce Hathaway is also an expert on
microphones
and other studio gear.
i dont under stand, my subs are rated for 750 rms so i wire them together the amp only sees one speaker?
how can you feed theem more power with out blowing them. sparky you say they can take 10000 to 15000rms
No, I said 1000 - 1500 rms...
Two subs that are 750 watts RMS each when wired together is equal to 1500 watts RMS power handling. This is because each sub will get half of the 1500 which is 750.
When speakers are wired in parallel, the amp only "sees" one connection or one speaker (both as one), it doesn't care that there are two only as long as the impedance (ohms) doesn't fall below what it can handle.
For example, If an amp is 2 ohm stable and two subs are 4 ohms each and wired in parallel, the resulting impedances will be 2 ohms. If this amp is 1500 watts X 1 @ 2 ohms and the subs are 750 each, this works out.
A further example, I can wire as many speakers to an amp as long as the total impedance is within tolerances of the amp. Here are four subs, each is 4 ohm, the resulting load is 4 ohm...http://i81.photobucket.com/albums/j230/sparky3489/SERIES-PARALLEL.jpg this is all going to 1 channel of an amp. Each sub must be 1/4 the total output power of the amp.
Again, this amp would only see one connection.
